benchmark
FOUNDATIONS

By comparing existing international foundations, their business models, and performance metrics, we aim to contribute to the design and concept of Foxway Foundation’s offerings, identifying the best model for our objectives and ensuring viability, legitimacy, and visibility within the international contemporary art scene.

TBA21: Thyssen-Bornemisza Art Contemporary

(SP/IT/JM)


tba21.org

TBA21 Thyssen-Bornemisza Art Contemporary is a leading international art and advocacy foundation. Established in 2002 by philanthropist and art patron Francesca Thyssen-Bornemisza, the Foundation stewards the TBA21 Collection and its outreach activities, which include exhibitions as well as educational and public programming.

TBA21 is based in Madrid, working in association with the Museo Nacional Thyssen-Bornemisza, and has other important poles of action in Venice (Italy) and Portland (Jamaica). All activity at TBA21 is fundamentally driven by artists and the belief in art and culture as a carrier of social and environmental transformation, ultimately contributing to the creation of spaces for peace.

TBA21–Academy is the foundation’s research arm, fostering a deeper relationship with the Ocean and other bodies of water by working as an incubator for collaborative inquiry, artistic production, and environmental advocacy. For more than a decade, the Academy has catalyzed new forms of knowledge emerging from the exchanges between art, science, policy, and conservation in long-term and collaborative engagement through fellowships, residency programs, and activities in a wide variety of formats.

Among its main projects are the art center Ocean Space (Venice), the independent study program Organismo | Art in Applied Critical Ecologies (Madrid, Museo Nacional Thyssen-Bornemisza), Alligator Head Foundation (Port Antonio, Jamaica), The Current Pacific/ Mediterranean/Caribbean, the online initiative Ocean-Archive.org with OCEAN / UNI, and Bauhaus of the Sea Sails.

We believe in art and artists as agents of change. For more than two decades, activity at TBA21 has been fundamentally driven by artists and the belief in art and culture as a carrier of social and environmental transformation and ultimately the service of global peace-making. We believe in artists' capacity to radically reimagine our current planetary systems. We see art as a way of experiential learning and we see poetry in the power to transform our world into an equitable one.

We see a just and resilient world that rethinks the rights of all-kind to create new systems based on respect and mutual care. A world that creates conditions that are regenerative to life. We see a world based on relationality that embraces complexity and nurtures kinship among humans and with the more-than-human – a world that recognizes love as a counter-narrative to anxiety, scarcity, and austerity and joy as an act of resistance and disruption.

Values in action Our values are the basis of how we approach our work with clear intent and work through complexity with clarity as we encounter it. They are how we assess and maintain our relationships with our environment and others, ensuring we actively contribute to the world we want to see.


THE ACADEMY

TBA21–Academy is TBA21's research arm fostering a deeper relationship with the Ocean and other bodies of water through the lens of art to inspire care and action. Established in 2011, the Academy has since worked as an incubator for collaborative inquiry, artistic production, and environmental advocacy, catalyzing new forms of knowledge emerging from the exchanges between art, science, policy, and conservation.

In 2019, TBA21–Academy opened Ocean Space in Venice, a planetary center that hosts exhibitions, research, and public activities that accelerate critical ocean literacy through the arts.  Building on TBA21–Academy’s expansive work, this embassy for the Ocean fosters engagement and collective action on the most pressing issues facing the Ocean today. 

Its digital counterpart, Ocean-Archive.org, is a user-based platform in the making, conceived as a framework for collaborative research that brings together the multitude of voices and stories around the Ocean and connects those striving to nurture and protect it. Designed as a storytelling and pedagogical tool, the Archive translates current knowledge about the Ocean into a shared language that enables us to make better decisions for urgently needed policies.

POSITIVE
ASPECTS

EXTREMELY STRONG IDENTITY
FOUNDER (FRANCESCA THYSSEN-BORNEMISZA)
WORLDWIDE LOCATIONS
DIRECT ASSOCIATION WITH THYSSEN-BORNEMISZA MUSEUM
VENICE BIENNALE POLE
THE ACADEMY
THE ALIGATOR HEAD FOUNDATION (JM)
THE OCEAN UNI
STRONG ONLINE ARCHIVE AND PROGRAM
PUBLICATION AND EDITIONS
COLLABORATION WITH BAUHAUS OF THE SEA SAILS
BOAT AND RESEARCH MATERIAL
PORTFOLIO / ARTIST LIST AND ECLECTIC PROGRAM
STRONG NATIONAL AND INTERNATIONAL NETWORK

CASA WABI FOUNDATION

(MEX/JP)


casawabi.org

Fundación Casa Wabi is a non-profit, civil association that fosters an exchange between contemporary art and local communities in three locations: Puerto Escondido, Mexico City, and Tokyo. Their name originates from the Japanese philosophy of Wabi-Sabi, which seeks beauty and harmony in the simple, the imperfect and the unconventional. Their mission is focused on forging social development through the arts, which they carry out through five key programs: residencies, exhibitions, clay, cinema, and mobile library.

Casa Wabi is located on the Pacific coast, 30 minutes from the Puerto Escondido ́s airport. Set between the mountains and the sea, their headquarters were designed by japanese architect Tadao Ando and under the initiative of Mexican artist Bosco Sodi.

Fundación Casa Wabi residency program is aimed at national and international artists and seeks to generate a dialogue with the communities surrounding Casa Wabi. The residences promote multidisciplinary encounters between different generations that stimulate their experimental and creative concerns, and that contribute to the development of the social and cultural fabric of the area. Our residencies program seeks to promote three key elements to maintain our mission’s balance: the resident’s creative inspiration, their relationships to other artists and the Foundation’s team, and the active exchange with the communities. The program works by invitation only and the selection is based on the quality of their creative production and the interest in generating activities or projects for social benefit and development.

They look for equilibrium between national, international, upcoming or consolidated artists to produce stimulating and productive encounters for everyone. The goal of the exhibitions program is to share these artist ́s experience within the foundation ́s architecture and the region ́s unique everyday life. The exchanges between residents, the local communities and the exhibitions will encourage the interaction amongst nature, contemporary art and architecture creating a unique and innovative atmosphere. Casa Wabi has a 460 M2 exhibition space that allows for the mounting of pieces of various formats. The aim of the exhibition program is to showcase the work of internationally aclaimed artists, through exhibitions that have a duration of one year. Its special features make this space a laboratory for artists and curators.

The film program aims to facilitate a constructive approach to film production through the screening of national and international films, as well as the organization of workshops and events that promote audiovisual media as a fundamental means of expression today. In Casa Wabi’s screening room, the Foundation offers a free program conceived in collaboration with the National Cinematheque of Mexico, Ambulante Documentary Tour, NDMantarraya, and DOCsDF. We have also developed an outdoor screening program in neighboring communities

FACILITIES INCLUDE
- multipurpose palapa - six separate bedrooms - two closed studios - six open studios - a screening room - auditorium, - 450 m2 exhibition gallery - various workspaces

POSITIVE
ASPECTS

EXTREMELY STRONG IDENTITY
LOCATION (OAXACA, MEXICO)
ARCHITECTURE (TADAO ANDO PROJECT)
SURROUNDINGS AND SCENARIO (OAXACA, PUERTO ESCONDIDO)
FOUNDATION STATUS
OWNER, BOSCO SODI (INTERNATIONAL ESTABLISHED ARTIST)
SELF SUSTAINABILITY (PATRON AND INSTITUTIONAL SUPPORT)
DESIGN AND DECOR
PORTFOLIO / ARTIST LIST AND ECLECTIC PROGRAM
STRONG NATIONAL AND INTERNATIONAL NETWORK
STRONG COMMUNITY PROGRAM

THE ARTS FOUNDATION

(UK)


artsfoundation.co.uk

The Arts Foundation is a registered charity that supports individual artists and creatives in the UK with unconditional financial fellowships. Since 1993 we have awarded over £1.8 million to the most promising artists in the UK at a pivotal moment in their careers to enable them to concentrate on their creative development, experiment, and realise their artistic potential.
The annual Arts Foundation Futures Awards provides five £10,000 Fellowships, with all Shortlisted Artists receiving £1,000 towards the development of their artistic practice.
Entering our 30th year, we are delighted to support the award categories: Bio Design, Dance Theatre, Digital Art, Electronic Music and Place Writing. You can explore the Shortlisted Artists’ work and practice below.

The five artists receiving a £10,000 Fellowship were revealed at an Award Ceremony on 23 February 2023, presented in partnership with Leeds 2023: Year of Culture at the Howard Assembly Room, Opera North. With thanks to our award supporters for their partnership and belief in the importance of artists and developing creative practice: The David Collins Foundation, The Maria Björnson Memorial Fund and the Yoma Sasburg Estate.⁠

Bio Design Supported by The David Collins Foundation The Arts Foundation Bio Design Award supports creative practitioners designing with biomaterials for the environment.

Questioning how we accelerate our transition away from extractive and carbon centric design and materials the bio-design award goes beyond environmental sustainability, to include practices and design innovations that work towards symbiosis with nature. The award supports designers and creative practitioners working with materials or service design approaches that are regenerative, with the capacity to restore, renew or revitalise the environment.

POSITIVE
ASPECTS

INTERESTING COLLABORATIVE PARTNERSHIPS
INCLUSIVE APPROACH 
ENCOURAGES SUSTAINABLE AND REGENERATIVE PRACTICES
THE FOUNDATION'S FOCUS ON A BROAD RANGE OF DISCIPLINES SUCH AS  BIO DESIGN, DANCE THEATRE, DIGITAL ART, ELECTRONIC MUSIC OR PLACE WRITING

THE CENTRE FOR CONTEMPORARY ART (CCA)

(UK)


www.ccadld.org

The Centre for Contemporary Art (CCA) fosters a wide range of artistic, curatorial, and critical practices through five programme streams: research and production, exhibition-making, public Programmes, publishing, and residencies.

CCA developed out of the Context Gallery in The Playhouse. Since its conception in 1992, the gallery has exhibited emerging artists from Northern Ireland alongside international peers.

CCA’s activity builds on the history of the Context Gallery but has a wider mandate, fostering a range of artistic, curatorial, and critical practices, locally, regionally and internationally. CCA opened in the autumn of 2012 in a space designed by Michael Carr Architects.

In 2021 CCA was honoured to be one of the Finalists for the Art Fund Museum of the Year 2021, the world's largest museum prize for CCA's work supporting artists and audiences over the pandemic.

CCA is grateful for the continued support of our primary funder, the Arts Council of Northern Ireland. CCA also acknowledges funding and support received from Derry City and Strabane District Council, Caldwell & Robinson Solicitors, The Art Fund and Jerwood Developing Artists Fund.

CCA is a member of Plus Tate. Plus Tate is a network which comprises thirty five cultural institutions – including the Tate galleries – that have strong artistic vision, a focus on contemporary art, outstanding public programming and a commitment to local community engagement through art. Plus Tate aims to support the development of the visual arts across the UK.

POSITIVE
ASPECTS

STRONG IDENTITY
FABULOUS DESIGN
INTERNATIONAL REACH AND COLLABORATION
COMMUNITY ENGAGEMENT
ARCHITECTURAL AND CULTURAL HUB
MEMBERSHIP IN THE PLUS TATE NETWORK
STRONG FUNDING AND PARTNERSHIPS

ALLIGATOR
HEAD FOUNDATION
(JAM)


alligatorheadfoundation.org

Dedicated to growing connections across disciplines, practices and geographies, TBA21–Academy collaborates with its partner initiative Alligator Head Foundation to offer a Residency Programme that would facilitate the creative process for thinkers to imagine a radically different worldview and create solutions that break new ground. 

TBA21–Academy Residency is a residency programme for artists, biologists, engineers, designers, filmmakers, writers, musicians, dancers and other creators at the marine laboratory Alligator Head Foundation (AHF) in the East Portland Fish Sanctuary, Jamaica. Residents are encouraged to explore themes that relate to the ocean and the communities surrounding the oceans as a means to engage with the most urgent ecological, social and economic issues of the day. TBA21–Academy seeks to reinvent the culture of exploration in the 21st century while inciting new knowledge, communicative strategies and dynamic solutions for the environmental challenges facing the world we inhabit.

TBA21–Academy Residency at AHF has continuously fostered artistic production and integration with local initiatives. The Alligator Head Foundation is dedicated to fusing science, art and community to deliver innovative solutions that would strengthen national and global policy for ecological resilience. As such, the foundation provides a creative and dedicated environment for research, production and collaborative possibilities for its artists in residence

Alligator Head Foundation (AHF) is a Jamaican-based project spearheaded by TBA21–Academy, focusing on the intersection of science, art and community. With a collaborative approach to protecting fish stocks, restoring habitats and regenerating local economies, AHF supports the local communities in Portland that depend on fishing as a livelihood. Along with managing the East Portland Fish Sanctuary, AHF is dedicated to supporting  cultural production, and the commissioning of ambitious projects that raise ecological, economic and social issues to the general public, and local community. As such, the Foundation has continuously functioned as an artists’ residency for projects supported by TBA21–Academy 

FACILITIES INCLUDE 

- artist accomodation
- various workspaces indoor and outdoor
- boat 
- diving gear
- filming gear
- auditorium 
- multimedia materials

POSITIVE
ASPECTS

LOCATION (PORTLAND, JAMAICA, WORLD HERITAGE SITE)
PROGRAM FOR ARTISTS, BIOLOGISTS, ENGINEERS, DESIGNERS, FILMMAKERS, WRITERS, MUSICIANS, DANCERS AND OTHER CREATORS 
COLLABORATION WITH THE UNIVERSITY OF THE WEST INDIES
COLLABORATION WITH ENVIRONMENT PROTECTION ASSOCIATION
STRONG INTERNATIONAL AND LOCAL PARTNERSHIPS
PROJECT SUPPORTING THE LOCAL COMMUNITIES
SUSTAINABLE RELATIONSHIP WITH THE ENVIROMENT
STRONG CURATORIAL PROJECT 
SUPPORT BY TBA21 THYSSEN-BORNEMISZA ART CONTEMPORARY

GLOBAL
DIVERSITY

(UK/US)


global-diversity.org

The global diversity offers change-makers the resources they need to achieve solutions to complex challenges. With a multidisciplinary team provides hands-on support for their projects, connects them up to global networks and offers practical tools to sustain their efforts. By incubating the most promising ideas through embedded support and mentoring, establishing long-term field programmes in selected regions. It as an holistic approach rooted in their values.

Art has the power to move people; to evoke and transform emotions that words often cannot. Art has the power to change narratives, to give a voice to the voiceless, to break rules and find unorthodox ways of approaching some of the seemingly insurmountable issues of our time. The Global Diversity Foundation’s Arts and Ecology Programme creates a space for dialogue, reflection and artistic exploration into the intersections of environmental conservation, our human relationship to land, ecologies, myth, food and farming, water, colonialism and social and environmental justice. 

Through this program, artists, researchers, academics, ecologists, and conservationists collaborate to explore and communicate environmental issues through the visual arts, music, poetry, theater, literature, artist residencies, public discussion events and other immersive experiences. 

They host activities for the Arts and Ecology Programme at the International Society of Ethnobiology’s 18th Congress, in collaboration with our Harvest Festival May 2024 Edition. This includes participatory, immersive artwork and a series of panel discussions, including the Green Rope Project from artist William Bock, who uses the act of crafting a Sugán rope (an Irish straw rope) to bring people together. William is a multi-disciplinary artist exploring relationships between people and the environments they inhabit. 

POSITIVE
ASPECTS

STRONG INTERNATIONAL NETWORK
FIELD PROGRAMS WITH LOCAL COMMUNITIES 
WORKS SHARPLY AT A GOVERNMENTAL LEVEL
CROSS CULTURAL EXCHANGE
SUPPORTS EMERGING ARTISTS AND ACTIVISTS
PROMOTES CULTURE, EDUCATION, AND SUSTAINABILITY AS HUMAN RIGHTS


THE EARTH FOUNDATION

(CH)


earth-foundation.org

The Earth Foundation, a non-profit organisation based in Geneva, Switzerland, is dedicated to inspiring, educating, mentoring, and empowering students and young entrepreneurs to address environmental challenges with innovative ideas.

Our flagship initiatives, The Earth Prize and The Earth Foundation Alliance, are designed to foster an ecosystem that accelerates positive change toward environmental sustainability.


The pivotal moment that led to the establishment of The Earth Foundation was witnessing thousands of students rallying during a school strike for climate in 2019. This awakening inspired the creation of our Swiss and US non-profit organisation.


In just over three years, The Earth Foundation has developed a thriving ecosystem to support our mission. Explore this website to learn more and consider joining or supporting our community today.


POSITIVE
ASPECTS

MULTI DISCIPLINARY BOARD WITH A WIDE LIST OF YOUNG THINKERS AND ENTREPRENEURS
GLOBAL NETWORK INVESTING ON INNOVATIVE SOLUTIONS
INNOVATION AND SUSTAINABLE PROJECTS  
WORLDWIDE COLLABORATIVE ACTION
FOCUSED ON EDUCATION
CLEAN CONCISE NARRATIVE

ART FOR THE WORLD

(CH)


www.artfortheworld.net

ART for The World is an NGO founded in Geneva in 1996, in the context of the Dialogues of Peace, an international contemporary art exhibition for the 50th Anniversary of the United Nations, with the participation of artists from all over the world. Since 1998 ART for The World has collaborated on regular bases with the UN Agencies such as WHO, OHCHR, WMO etc., with SESC Sao Paulo and other Cultural institutions based in Europe, in India among others. In 2005, ART for The World Europa was established in Turin with its members all over Italy collaborating with its projects. AFTW is inspired by article 27 of the Universal Declaration of Human Rights, which proclaims creative activity as an essential part of people’s wellbeing: “Everyone has the right to freely participate in the cultural life of the community and to enjoy the arts.”

As a museum without walls, ART for The World is a collaborative effort with the participation of artists, international institutions and corporations from all corners of the globe sharing ideals and activities expanding and reaching beyond the traditional confines of art, in becoming more inclusive and accessible to a broader audience. Our mission is to create, through the universal language of the ARTS, a meaningful and enduring dialogue among people and cultures in order to encourage tolerance and solidarity and to foster CULTURE AND EDUCATION as HUMAN RIGHTS.

Working through the arts, to disseminate the United Nations Sustainable Development Goals (UNSDG) and in particular issues related to Environment, Ecosystem, Biodiversity and Climate Change.

Art for The World merges ethics with aesthetics to build cross-cultural relationships and promotes CULTURE, EDUCATION, WELL-BEING, and SUSTAINABILITY.

The NGO fosters mutual knowledge, in creating through its contemporary art endless possibilities of knowledge, regeneration and personal enrichment and, at the same time spreading awareness on our common universal values to the young generations. This feature distinguishes ART for The World from the international contemporary art scene, making it a unique experience. Its actions do not take place only in the art circuits, but as well are held in public buildings, schools, universities, parks, stadiums, theatres, film festivals, etc., in various parts of the world.

POSITIVE
ASPECTS

ETHICS AND AESTHETICS 
EMPHASIS ON EDUCATION
CROSS CULTURAL DIALOGUE
FORWARD THINKING ORGANISATION
PUBLICATIONS PROGRAM


CLIMATE FOUNDATION

(USA)


climatefoundation.org

This project is based on the realisation that seaweed is one of the fastest growing plants on our planet, and it takes in more C02 than almost any other plant on Earth. Unfortunately, the tropical and subtropical oceans are becoming too warm to sustain seaweed, which means that the Earth could lose one of its highest exporters of Co2 and creators of oxygen. So we created Marine Permaculture which works by either bringing the cooler waters to the seaweed, or lowering the seaweed to the cooler water below. Besides helping seaweed grow, it has the wonderful side effects of creating habitat for marine creatures, creating income for ocean communities while also sequestering Co2. 

Some solutions to help the planet are reversing coral bleaching -  and we found a way to sequester C02, improve soil and fix a sewage problem all using Biochar.  We also figured out how to improve the air quality in India with Charvesting, as well as exploring azolla as one of the many solutions to lowering CO2 in the atmosphere.

There have been five mass extinctions on the planet earth. Each extinction has been preceded by the death of the coral reef. In the last 15 years, 30% of the world's coral reefs have perished and another 6% are expected to die in the next two years.  Scientists are predicting that the Great Barrier Reef will become a geological relic in 27 years. In 1998 there was a massive global coral bleaching event. In 2010 there was another one. Because of global warming, massive global coral bleaching events will happen with increasing frequency and with far-reaching results. Bleaching of this magnitude has not occurred for hundreds, if not thousands, of years. We will continue to lose thousands of square kilometres of coral reef; Unless, of course, we do something about it. 

Coral reefs comprise some of the most biologically diverse and valuable ecosystems on the planet. Although reefs occupy only 0.2 percent of the ocean's area worldwide, they are home to one-third of all sea life. and support more species per unit area than any other marine environment, including about 4,000 species of fish, 800 species of hard corals.  Iit is estimated that there are 8 million (8,000,000) undiscovered plants and animals that may live in or near coral reefs.

The annual global economic value of coral reefs is estimated between US $30 to $375 billion in goods and services, including; fisheries, tourism, coastal protection, as a source of medical advances, and environmental wealth.

Every day 30 million TONS of carbon dioxide is poured into the ocean - EVERY. DAY. The ocean is becoming too warm and acidic for the organisms that live there and the acid is killing coral and many  thousands of species.  

The warming planet has slowed down the underwater jet stream which provides both the nutrients and the cooler water to the surface of the ocean. As a result, the coral are getting too hot and are becoming nutrient deprived. And if the coral reefs go extinct, which they are, life as we know it is permanently going away.

Humans are naïve to believe that life will continue as usual without healthy coral reefs, or, for that matter, a planet. A quarter of all marine species spend some part of their life cycle in the coral reef ecosystem.  It is estimated that 100 million humans will die by 2030 because of climate change. That is 100  million people in the next 14 years.  660,000 humans have already died due to climate change. We must protect the biggest, most diverse environment on the planet or pay the price.

In order to test methods of reversing coral bleaching, Climate Foundation selected an area where it is possible to estimate precisely the beginning and the end of an annual coral bleaching process. The Tutuila airport reef was chosen as a perfect exploration ground since it offers all relevant site selection criteria. It was near to shore, it was near a power source,  the coral bleached annually and Doug Finner had systematically logged the temperature and bleaching for years. ​

Photos of coral were calibrated using a CoralWatch coral-health chart to measure color intensity. On this scale, low values of 1-2 correspond to pale, bleached colour, while higher values of 3-5 correspond to more intense colour (less bleached). Temperature loggers and illumination data loggers recorded temperature to 0.1°C.  Recordings were made for up to two weeks after treatment to observe the prolonged biological response to treatment.

Colour intensity increased 3 to 4 units at test sites in one day on the CoralWatch scale with no increase at reference sites. Colour intensity held for over a week before declining by 1 unit a week after cooling stopped. Other reference sites remained bleached. In under 12 hours, the color returned to the coral! The bleaching had stopped.

Based on these results, effective strategies to reverse coral bleaching can be developed. Besides using the NOAA bleaching forecasts to provide warning to reef managers, reef managers can deploy  portable thermal management systems to ensure reef survival through major thermal bleaching events. Therefore regional scaled cooling infrastructure anticipating future bleaching can be designed and procured after testing biological response with a portable cooling system.Marine Permaculture can restore overturning circulation and thereby prevent thermally induced photobleaching. In doing so, Marine Permaculture can effectively cool the reef and provide key nutrients for the growth and survival of the Great Barrier Reef.

Using Marine Permaculture close to reefs will not only allow to cultivate seaweed but also reduce the reef temperature through restoring overturning circulation. In doing so we will reduce thermally induced photobleaching and improve the future survival and climate resilience of the corals. While cooling the reef waters, the local seaweed species that Marine Permaculture grows will act as a sanctuary for foraging fish and fish breeding. In addition, the Climate Foundation intends on using a portion of the seaweed grown as a carbon storage technology, thus directly reducing global greenhouse gases. Marine Permaculture arrays can also be deployed alongside industrial cooling or in conjunction with deep seawater air conditioning, providing ancillary benefits including renewable energy, coral reef cooling, biomass and fisheries restoration.

POSITIVE
ASPECTS

INNOVATIVE SOLUTIONS
ETHICS
PIONEERING RESEARCH AND DEVELOPMENT
WORLDWIDE COLLABORATIONS
ACADEMICAL RESEARCH
LONG TERM VISION
SOLUTION MAKERS

ARTANGEL

(UK)


artangel.org.uk

Artangel has always gone where others fear to tread. We collaborate with artists who defy boundaries to give form to extraordinary ideas.

The art we produce boldly responds to the environment in which we live. It’s often unlike anything you have experienced before. We've taken over an empty prison, uncovered an underground opera house, made sculpture from solid air, commissioned a mile-high column of light, and a thousand-year-long piece of music.

We celebrate the artists of today and identify those of tomorrow. Developing daring new works that reveal a different side to the world we live in. Alongside the launch of the collection in 2011, Artangel began co-commissioning new moving image works with selected museum partners in the UK.

Over the years, in collaboration with intrepid partners, Artangel has invited people to share their most ambitious, unstoppable ideas for art about, in or for an unusual place.

From a reservoir of ideas for a huge range of possible locations – as well as a few impossible ones – a number of artists have been selected and gone on to realise their extraordinary projects.


POSITIVE
ASPECTS

STRONG IDENTITY
DISRUPTIVE IDEAS
PERSONAL REPERTOIRE
GREAT COLLECTION
SPECIAL LOCATIONS

ECOARTS

(UK)


Ecoartsfoundation.org

EcoArts was born to creatively address environmental topics. This concept is the inspiration for events, collaborations, music, and educational content for students of all ages. 

Founder Ashley Mazanec co-authored the EcoArts programs in Poway Unified School District with Parachute Arts (now EcoArts Kids) and taught environmental art to 1200 students at Del Sur Elementary 2019-2020. She further developed EcoArts STEAM curricula for Carlsbad Education Foundation and Solidarity Farm. Currently she directs school wide music and performing arts education and Creative Regeneration elective programs at the Green Ribbon School Saint James Academy in Solana Beach.

Ashley has been endowed with various awards, including UCSD Global Policy and Strategy (GPS) Fellowship, US-Israel Center for Innovation and Economic Sustainability Lead Fellowship, and Surfing Madonna Oceans Project Scholarship to the Artists and Climate Change Inaugural Incubator in NYC. She holds her Masters in International Environmental Policy from GPS, where she served as Net Impact UCSD Graduate Chapter President. 

EcoArts initially operated under fiscal sponsor Encinitas Arts, Culture, and Ecology Alliance before becoming a sole proprietorship. John Biethan, RIP, trailblazed the way in creating the Let's Talk About the Weather podcast, which instigated conversations the world over with artists addressing environmental concerns.

By celebrating imaginative eco-themed content, to engage a diverse community from elementary school students to international eco artists via events, programs and educational media. Envisioning a world where regenerative practices are the norm worldwide. May arts lead the way!

POSITIVE
ASPECTS

EDUCATIONAL IMPACT
VISIONARY BRIDGING POLICIES BETWEEN DIFFERENT DISCIPLINES
EDUCATION AND ARTS
PIONEER PODCAST PROGRAM
STRONG CULTURAL AND ARTISTIC INTEGRATION

GLOBAL
WITNESS

(UK)


globalwitness.org

When founded in 1993, they were pioneers in seeing the link between natural resources, conflict and corruption. For over 25 years, have investigated and exposed environmental and human rights abuses in the oil, gas, mining, and timber sectors, and tracked ill-gotten money and influence through the global financial and political system. 

Today, continuing to focus on abusive actors, misuse of power and financial flows, but have turned focus on some of the most urgent issues facing humanity: the climate emergency and attacks on civic space. 

The work is done to hold companies and governments account for their destruction of the environment, their disregard for the planet and their failure to protect human rights via campaigns to:

  • curb the flow of finance enabling destruction of climate-critical tropical forests

  • challenge  industry efforts to present fossil gas as climate-friendly

  • end corporate complicity in environmental and human rights abuses 

  • protect land and environmental defenders standing up to climate-wrecking industries

  • tackle the spread of division, hate and disinformation on digital platforms

  • end corporate corruption and ensure companies in the natural resource sector can no longer operate above the law

They have just under 100 staff, and offices in London, Washington DC and Brussels. Working with a global network of partners and allies, from forest communities in Papua New Guinea to civil society groups in Democratic Republic of Congo and through our partnerships with land and environmental defenders.

With a methodology of finding the facts, exposing the story to change the system.

Global Witness investigations are known for their meticulous attention to detail and we use an ever-evolving variety of techniques including undercover filming and scraping and analysing open source and leaked data sets. For instance, in 2020 conducted their most ambitious data-driven investigation to date, uncovering the illegal deforestation linked to Brazil’s biggest beef companies.

Their communications, events and partnerships bring issues to the attention of audiences around the world and onto the political agenda. Through advocacy successfully shaped and secured laws, sanctions and changes in business practice to ensure transition to a just and sustainable future.

POSITIVE
ASPECTS

PIONEERING ADVOCACY
HUMAN RIGHTS ACTIVISM
IMPACTFUL ADVOCAC
GLOBAL REACH
INTERESTING FORMAL IDENTITY
LEADING IDEALS

ILO

(CH)


ilo.org

The International Labour Organization (ILO) is devoted to promoting social justice and internationally recognized human and labour rights, pursuing its founding mission that social justice is essential to universal and lasting peace.

The only tripartite U.N. agency, since 1919 the ILO brings together governments, employers and workers of 187 Member States, to set labour standards, develop policies and devise programmes promoting decent work for all women and men.

The ILO’s approach to advancing social justice and promoting decent work is built on the foundation of tripartism and social dialogue. It brings together governments, employers’ and workers’ organizations from its 187 Member States to address world of work challenges, set and monitor international labour standards, and works with development cooperation partners on projects and programmes to help realize the Decent Work Agenda.

The International Labour Organization (ILO) is the United Nations agency for the world of work. It was founded on the conviction that universal and lasting peace can be established only if it is based on social justice. The ILO brings together governments, employers and workers from its 187 member states in a human-centred approach to the future of work based on decent employment creation, rights at work, social protection and social dialogue.

The ILO’s tripartite membership drafts, adopts and monitors the implementation of international labour standards on key world of work issues.

The ILO undertakes research and data collection across the range of world of work topics. It publishes flagship reports and a wide range of publications and working papers. Its globally renowned set of statistical databases are maintained and updated with nationally sourced labour market data.

The ILO manages a wide range of development cooperation projects in all regions of the world. Realized in partnership with donor countries and organizations, these projects aim to create the conditions for delivery of the ILO decent work agenda.

The ILO has its headquarters in Geneva, Switzerland, and field offices in more than 40 countries.

The International Labour Conference meets once a year to discuss pressing world of work issues, adopt new international labour standards and approve the ILO’s work plan and budget. The Governing Body, the Organization’s executive council, meets three times a year in Geneva.

Not just any jobs. The ILO advocates investment in decent and green job opportunities, skills development, and economies that promote sustainable livelihoods.

Strong and independent workers’ and employers’ organizations are central to increasing productivity, resolving world of work disputes and helping build cohesive societies.

The ILO promotes universal social protection to ensure access for all people – including families with children – to healthcare and income security, particularly in cases of unemployment, sickness, disability, work injury, maternity, old age, or loss of a main income earner.

The ILO prioritizes recognition and respect for the rights of all workers, including representation for the most vulnerable. It works to ensure that the international labour legal framework is relevant to a changing world of work.

POSITIVE
ASPECTS

UNIQUE TRIPARTIE STRUCTURE
WIDE GLOBAL IMACT
PROMOTES SUSTAINABILITY
FAIR LABOUR JOBS

KUNSTHAL AARHUS

(DK)


kunsthalaarhus.dk

Kunsthal Aarhus is located in the heart of Aarhus, was founded in 1917 and has become a key institution in the city's art scene. Focused on contemporary art, Kunsthal Aarhus showcases rotating exhibitions featuring both Danish and international artists. It covers a wide spectrum, from emerging talents to established artists, and has a tradition of hosting graduation exhibitions from the Jutland Art Academy.

In recent years, Kunsthal Aarhus has hosted solo exhibitions by artists such as Maryam Jafri, Simon Dybbroe Møller, Nathalie Du Pasquier, and Kirstine Roepstorff. It has also organized several group exhibitions that explore various thematic and conceptual directions, such as "Minimalism-Maximalism-Mechanissmmm" (2022) and "Post Institutional Stress Disorder" (2018-19).

Kunsthal Aarhus is renowned for its extensive collaborations, both nationally and internationally. These partnerships not only strengthen the regional art scene but also contribute to broader artistic debates. International collaborators include Art Sonje Center in Seoul, KW Institute for Contemporary Art in Berlin, and BOZAR Center for Fine Arts in Brussels. Nationally, Kunsthal Aarhus has worked with institutions like the National Gallery of Denmark and Brandts Art Museum, as well as local partners such as Aarhus University and ARoS.

Kunsthal Aarhus is located in a protected building, which until 2012 was known as Aarhus Kunstbygning. The building was originally designed in 1916 by architect Axel Høeg-Hansen. It went through a series of architectural reconstructions during the 1990s and 2000s and the latest changes were carried out by C.F. Møller, one of Scandinavia's leading architects.

Kunsthal Aarhus is a nonprofit independent foundation which each year raises 70% of funds for its day-to-day operations and artistic programmes. This is only possible thanks to the generous support of public grants from Aarhus Municipality and the Danish Arts Foundation, and private grants from major Danish foundations.

POSITIVE
ASPECTS

STRONG IDENTITY
COOL MINDFUL PROJECTS
DESIGN
FOSTERS A NEW GENERATION OF ARTISTS
OUTSTANDING ARCHITECTURE - AXEL-HØEG-HANSEN PROJECT
ALMOST SELF SUSTAINABLE
CULTURALLY ACCESSIBLE
GLOBAL IMPACT

benchmark
RESIDENCIES

By comparing existing national and international residency programs, their business models, facilities and performance metrics we aim to contribute to the design and concept of Foxway Foundation’s offer, identifying the best model for our objectives guaranteeing viability, legitimacy and visibility within the international contemporary art scenario.

FOGO ISLAND
ARTS

(CA)


fogoislandarts.ca

Fogo Island Arts (FIA) is a contemporary arts and ideas organization on Fogo Island, located in Newfoundland & Labrador. Though Fogo Island is a settler community, it’s important to know that its territory is part of the ancestral homelands of the Beothuk and the island of Newfoundland is the ancestral homeland of the Mi’kmaq and Beothuk. We also take this opportunity to recognize the Inuit of Nunatsiavut and NunatuKavut and the Innu of Nitassinan, and their ancestors, as the original people of Labrador. 

Founded in 2008 as an artists residency program, Fogo Island Arts was created with the conviction that art and artists have the capacity to instigate social change and offer new perspectives on issues of contemporary concern. By facilitating collaborations and connections between a local and international network of practitioners and thinkers, Fogo Island Arts aims to provide relevant insights on questions of human relationships with place, nature, financial capital, and one another.

Fogo Island Arts’ residency program has grown into a full program of exhibitions, public programs, publications and focused research programs including the Fogo Island Dialogues and Summer Workshops, all of which aim to bridge connections between local and wider global communities. 

Fogo Island Arts is a charitable program of Shorefast, a registered Canadian charity with the mission to build economic and cultural resilience on Fogo Island, making it possible for local communities to thrive in the global economy

Fogo Island is an outport community: a small, remote coastal settlement unique to the province of Newfoundland and Labrador. Fogo Islanders are people of the sea who have made their living by fishing the frigid and often unforgiving waters of the North Atlantic. 

A non-capital-accumulating society until the latter decades of the 20th century, Fogo Islanders sustained themselves for generations by fishing as families and relying on an unrelenting sense of resourcefulness fed by a profound love of place. This history of relative isolation and self-sufficiency has shaped Fogo Islanders and the Fogo Island of today, and continues to inform the island’s economy and culture.

FACILITIES INCLUDE 

- artist accomodation - four studios is distinct in design. Anchored into a landscape of volcanic rock by steel legs, they range in size from 200 to 1200 square feet and are completely off-the-grid
— equipped with compost toilets, solar powered electricity and wood-burning stoves.
- presentation room
- multimedia
- artist fee

POSITIVE
ASPECTS


LOCATION (FOGO ISLAND, IN NEWFOUNDLAND & LABRADO)
ARCHITECTURE
LANDSCAPE AND ISOLATION
LOCAL AND INTERNATIONAL NETWORK OF PRACTITIONERS AND THINKERS
STRONG PUBLIC PROGRAMS AND PUBLICATIONS
ACCOMMODATION AND STUDIO SPACE
STRONG PATRONS CIRCLE

LAB VERDE

(BR)


labverde.com

Created in 2013, LABVERDE is a transdisciplinary platform based in the Brazilian Amazon. Its main focus is the development of environment-related artistic languages, working in the production and democratization of knowledge through residencies, lectures, exhibitions, festivals, workshops and publications.

 Artists, indigenous people, scientists and other knowledge agents come together to recognize and narrate nature, in an attempt to create new ways of existence and interaction with environment; and to co-imagine new approaches to current ecosystems

PROGRAMS

LABSONORA . The greatest biodiversity in the world is also the greatest diversity of sound in the world. In the Amazon, many voices, songs, noises, music and other sounds echo in their most varied frequencies. Sounds produced by its rich diversity of people or by the biological diversity of ecosystem dynamics, besides noises made by other environmental and anthropogenic phenomena. There is an acoustic potential for dealing with the Amazon’s socio-environmental issues. Sound creation and the development of musical thought can be a powerful immaterial weapon to disrupt pre-existing orders, expanding the possibilities of the silenced, the inaudible and even making perceptible what was invisible.

FUNGI.COSMOLOGY . Fungi continually transform the materiality of the world we live in, and build a wide network of relationships, of life and death, with a diversity of chain linked organisms. Its existence is deeply intertwined with the existence of trees, bacteria, animals and plants, being the web that holds living organisms of all ecosystems..

ECOLOGIAS ESOPECULATIVAS . The Amazon rainforest is a cosmic lab for the invention of shapes of life and matter, a complex ecosystem that holds a collection of memories of the experience of life on Earth. But this great biodiversity is reaching its tipping point. Human and non-human life in the Forest is constantly affected by local and global dynamics. The political context in Brazil is softening the protection of the environment and its people, scaling back the effort to combat illegal logging, ranching and mining. At the same time, global warming is deeply transforming the biophysical assets of the Amazon, causing a serious change in its landscapes.

FACILITIES INCLUDE 

- artist accomodation
- kitchen
- multimedia and artist tools
- open space for conferences, talks, performance and presentations
(outdoor and indoor)
- guide

POSITIVE
ASPECTS

LOCATION (AMAZONIA)
DEEPLY IMMERSIVE AND UNIQUE EXPERIENCE
LANDSCAPE AND ISOLATION
GRANT SUPPORT
STRONG INTERNATIONAL REFERENCE
CULTURAL SUPPORT AND PATRONS
STRONG INTERACTION WITH LOCAL COMMUNITY (INDIGENOUS AND SCIENTISTS)
STRONG INTERACTION WITH THE ENVIROMENT

HANGAR

(PT)


hangar.com.pt

​Hangar is an Artistic Research Center located in Graça, Lisbon. HANGAR includes a center of exhibitions, artistic residencies, and artistic studies. It is also a center of education, talks, and conversations that unify geographic locations, cultures and identities and stimulate the development of artistic and theoretical practices.

Hangar also seeks to organize and produce the development of artistic inter-disciplinary projects and visual arts projects that focus on Lisbon as a central backdrop for contemporary culture.

Hangar is an independent space managed by artists and curators.

It is a place for experimentation, research, and reflection artistic practices. This space is a point of convergence of various areas of contemporary artistic processes.

Hangar was born out of the will of a group of artists, curators, and producers belonging to Xerem and their close collaborators. This group of people sought to create conditions for artistic creation and research that operated closely with urban Lisbon.

Hangar aims to encourage the creative and formative possibilities of exploratory artistic practices and interact with different local agents. The artists, curators and other agents of HANGAR— national and international— will be challenged with creating a global platform with which to exchange ideas and experiences. Hangar will encourage experimentation and cross-disciplinary practices as a means of personal and collective growth.

OBJECTIVES

Encourage artistic interaction and exploration of the urban environment especially in the contexts of memory, space and people. Interact with the public urban spaces. Create a space of research and arts, collective consciousness, and local history. Interact with the figures of the local community (residents and merchants) as well as comprehensive artistic context (galleries and foundations). Develop exhibitions, seminars, workshops. Develop workshops, courses and projects in art and education. Develop international artistic residencies, network exchanges of artists, and other cultural actors.

FACILITIES INCLUDE

- Exhibition Space
- Artistic residencies
- kitchen
- Common Studio Room
- Center for education, talks and theoretical practices
- Radio and Music Studio
- Screening Space - Publishing House
- Bar and Restaurant (outsourcing)

POSITIVE
ASPECTS


LOCATION (CENTRAL LISBON, GRAÇA)
EXHIBITION SPACE
OBJECTIVE DEFINITION
CENTRAL THEME (POST COLONIALISM AND DIASPORAS)
STRONG NATIONAL AND INTERNATIONAL NETWORK
LEGITIMACY WITHIN ARTISTS, ART INSTITUTIONS AND DGARTES
INTERNATIONAL RECOGNITION
DIRECTOR MONICA DE MIRANDA (ESTABLISHED ARTIST REPRESENTING
PORTUGAL AT VENICE BIENNALE IN 2024)
RESIDENCY MODELS (BOTH CURATED AND OPEN CALL RESIDENCIES)
CURATORS ARTIST ADVISORY
PUBLISHING HOUSE (HANGAR BOOKS)
STRONG ONLINE PROGRAM

PADA

(PT/UK)


padastudios.com

PADA offers artists a stimulating space to focus on their practice, work alongside artists from all over the world and engage with the local art scene. Set in a derelict industrial park with a history dating back to 1885, PADA offers artists time and space to develop their practice through the exploration of technique and process. The residency at PADA welcomes applications from artists in a variety of media for a duration of 1-2 months. 

They offer artists the possibility to explore practices, concepts, new ideas and materials and to develop a project whilst receiving feedback and support. Participants are also encouraged to propose talks and workshops, and to engage with the local art scene. At the end of each residency period artists will have the opportunity to present their work in the gallery at PADA..

PADA is an artist led non profit association run by a small team. The residency is primarily self led and artists are expected to be self sufficient in their practice. The supplementary programme at PADA is designed to introduce artists to the area, to the Lisbon art scene and to encourage dialogue between those in residence. Applications are done via an Open Call. The current Open call is for residencies taking place during 2024, The cost for each month of residency is €1400.

PADA is a not for profit association and currently does not receive any financial support, therefore we encourage selected artists to apply for funding to cover all costs involved. They work create a more sustainable residency and to encourage artistic practices that share this ethos. The new application form asks artists to consider this aspect of their practice and describe how it may affect their project at PADA. They believe dialogue is important for a rich studio practice, and the residency programme has been developed with this in mind. By organising monthly activities, artists have the opportunity to engage with each other and develop new contacts. The activities include:

PRESENTATIONS AND CRITIQUES
Individual consultations with a curator Final exhibition in the gallery at PADA. Technical assistance and workshop inductions. Visits to museums, galleries and art studios in Lisbon. History Presentation by the Industrial Museum and Tour of the Industrial Park. Opportunity to propose site-specific projects, presentations, workshops and other projects.

FACILITIES INCLUDE
-nine open-plan studios for artists-in-residence (35sqm per artist) set within a 1000 sqm warehouse with a partial mezzanine.
- a reading room and library
- kitchen
- living area
wood and metal workshops with hand and power tools
- a 100sqm gallery space
- satellite locations throughout the industrial park for interventions, installations and events

POSITIVE
ASPECTS

STUDIO BASED ART RESIDENCY
FACILITIES AND PRODUCTION MATERIALS
BEAUTIFUL EXHIBITION SPACE
INDUSTRIAL SURROUNDINGS
STRONG, FRESH AND YOUNG ENERGY
SCHOLARSHIPS FOR LOCAL ARTISTS
SITE SPECIFIC INTERVENTIONS
PAID OPEN CALL BUSINESS MODEL

PICO DO
REFUGIO

(AZ/PT)


picodorefugio.com

Pico do Refúgio was been renovated between October 2005 and August 2008. The project consisted on the remodulation of the farm infra-structure including the old tea factory. Now contain apartments for lodging, a scuba diving school and public spaces. The renovation was performed preserving the exterior outline and original function of each building.In this process 8 country houses were built ranging in between 55 and 110 m² spread around two different areas of the farm. These are either “Lofts” or “Apartments.

THE HISTORY

​The building of Pico do Refúgio was initiated somewhere in between the 16th and 17th centuries. However the oldest official document is the chapel construction permit, dating from 1750.

Thanks to its location and fortress like structure it came to play an important role in the vigilance against corsairs and fortress for militias.

The property has been used for cultivating many things including oranges trees and tea. The old factory of “Ataíde” still exists.

The azorian painter and writer, Luís Bernardo Ataíde, used it as a country house and later it was the home and inspiration ground of the sculptress, Luísa Constantina.

THE RESIDENCY

In a globalised world, often responsible for the acculturation of smaller and peripheral regions, one can also identify bridges, share knowledge and shorten distances. It is a place where the art world has changed from centralised to multipolar, and where non-central situations can find specific ways of affirmation and intervention. It is actually the process of globalisation that makes these diverse and scattered artistic productions visible.

Luis Bernardo has run this art residency program since 2015 in a 400 year old estate, in the Azores archipelago, in Portugal. Pico do Refúgio, has served as a creative platform for dozens of artists from the most distinct areas and nationalities. Perpetuating the artistic past of this place, especially while the farm was home of sculptress Luisa Constantina, the Art Residency program is dedicated to support national and international artists on their research and work in the Azores, promoting contemporary art locally. Through its artist residents, and their work, this program has also accomplished the goal of promoting the Azores worldwide, not only as a great destination for nature, sustainability and cultural heritage but also a place where one can find an emerging and thriving contemporary art scene.

These residencies take place mainly from November to March, each year. On average, they last four weeks each. During this period it is given total freedom for the artists to work on their own projects. The goal is to provide them with time for reflection, research and production. It is also important to promote transdisciplinary approaches and genuine relationships with the territory, the local materials and the local community.

POSITIVE
ASPECTS


LOCATION (AZORES ISLANDS, S. MIGUEL)
SELF SUSTAINABILITY (PATRON)
BUILDING AND ACCOMMODATIONS
DESIGN AND DECOR
PORTFOLIO / ARTIST LIST
STRONG NATIONAL AND INTERNATIONAL NETWORK
LEGITIMACY WITHIN ARTISTS, ART INSTITUTIONS
RELATIONSHIP WITH LOCAL MUSEUM (ARQUIPELAGO CENTRO DE ARTES)
INVITED ARTIST RESIDENCY MODEL
OWNER LUIS BERNARDO ATAIDE
HOUSE HISTORY (HOUSE OF SCULPTRESS LUISA CONSTANTINA)

OTHER
BENCHMARK RESEACH
REFERENCES


RESARTIS
resartis.org

TRANSARTIS
transartists.org